The Day After Imus

So now in the aftermath of Imus and his racially and sexually derogatory epithets, his subsequent firings from NBC and CBS, the Rutgers Women's Basketball team press conference, the fans, the outrage, the marvelous coalition of support for the students, the hope that this painful episode will set a new standard for media responsibility, we now turn our attention to ... RAP MUSIC?!?!?

Oh shit. I heard the report on CNN Headline News this morning that there's a greater concerted effort to now target rap/hip hop artists like 50 Cent, Snoop Dogg, and others. The argument, ironically, seemed to have come from Imus himself when he appeared on Al Sharpton's radio show. He commented that he did not get the phrase on his own. That it's origins are in the very worst of rap/hip hop. In other words, he wasn't saying anything new or different from what rappers were saying in the music. I know it's a cop out, and it doesn't hold water. I just can't believe that people are buying into that point. I know elder African American leaders like Al Sharpton and Jesse Jackson, and many others for different reasons, have always had a problem with rap and it's derogatory portrayals of black men and women. But this is a fairly reactionary and conservative critique about the politics of representation and culture -- that the causes of misoygny, homophobia, or racism, etc., can be traced to an offensive representation be it film, picture, television, or even words. The solution then is simple: remove the representation from our public sphere.

This is highly problematic on so many levels. There's no talk about culture in a substantive manner. There's nothing about patterns of economic inequality, or even a commentary about the state of our education. Or worse, once again, it's a "black problem" that they created, that they must now solve, but what's different this time is now it's a fairly diverse coalition of interests willing to go further than before. It's being framed as a personal moral issue and that is worrisome. But as a political logic, it certainly makes sense to a lot of people who work on a simple map of power relations: cause and effect.

But what bugs me the most about this development is the fact that Imus somehow was able to redirect the focus and energy from himself to rap and hip hop. Maybe not by himself solely, but this episode and the mess he created certainly facilitated it. In the end, I can't help but think that cowboy is going to have the last laugh.